in my pursuit of KL’s artsy fartsy art scene, i said “yes” in a heartbeat when taliza invited me to join her friends to catch lost spaces and talitha’s gigs at urbanscapes house.
i’ve mentioned this before to multiple friends that since coming back to KL and being given a taster session on what is presumed to be KL’s creative art scene (zhongshan building, cooler lumpur, merdekarya and now urbanscapes), malaysians can be quite the artists, even in comparison to my experiences of artsy manchester (and we’re talking about manchester here, home of afflecks and oasis and the 1975, the actual hub of england’s artistic sub-culture). i love what they’ve done to the art scene here, by incorporating local elements and experiences to make it feel all the more familiar, all the more malaysian. it feels fascinating to me particularly because most of my life growing up in alor setar, i have rarely come to associate my surroundings with art. music, paintings, exhibitions etc that i learned about growing up were all sourced from the internet, and in my mind’s eyes were pretty much a foreign affair. it wasn’t until i went to sunway and met a group of creatively like-minded friends (studying a-levels, of all things), that i started to realise that there is an actually abundance of malaysian art, albeit more obscure than their western counterparts. (see “In convo w/ visual artist LITH NG on her show @ Urbanscapes 2018” written by my friend Ellen on her friend’s urbanscapes exhibition)
lost spaces is one such band that i discovered when i was looking up local artists on spotify. shun was the one who introduced them to me, the lead singer being a friend of a friend. and i was pleasantly surprised by how quickly i took a liking to their music, considering the fact that i have zero knowledge of the local music scene. they describe their music as “groovy indie pop with hints of ambient R&B” . with heavy usage of dreamy synth sounds and malaysian-accented monologue inserts (as heard in instant.romance, where two boys discuss about the millennial woes of finding love), lost spaces makes music that is bound to make you dance or at the very least tap your foot along to, until you realise the inherent melancholy interlaced within the lyrics and you’re a bit confused because the song is upbeat but the words are so, so sad. (seems like we’re miles away from happy days / we seem to be stuck here looped in a fuzzy daze)
also they have really aesthetically pleasing single covers and i am weak for pastel colours of the pink to purple range.
Talitha’s gig was next and the Heartbreak Party was actually hers, in conjunction with her EP release of BOYS. her new EP is called BOYS, but the actual best track of it is called GIRLS. (if this isn’t a metaphor for real life, i don’t know what is). and it really is a heartbreak party, isn’t it? her songs sing of feelings of sadness, betrayal and disappointment in relationships that maybe hit a bit too close to home once or twice. it felt like maybe we were all supposed to cry together instead of sing along during the gig. (he doesn’t / he doesn’t want me enough to love / love me enough to try / he wouldn’t / no, no, he wouldn’t look me in the eye / even when i told him i’d try)
after the party, taliza and i headed for the balcony of the third floor of 2 Hang Kasturi for an impromptu shoot, something that i hadn’t done in nearly four years. and it felt really nice. there were other people around too, so there was no helping the initial awkwardness of people staring and a four-year hiatus (and an oily complexion after having just emerged from a crowded room), but it felt familiar, and it was taliza, and it was one of the few moments so far during which i felt the complete compatibility of my surroundings, and being in the city of KL.
check out taliza’s instagram for the shoot:
 "Lost Spaces: An Indie-Pop Band Which Will Fill Up the Twilight On Your Daily Commute", Friends of Sevenpie, December 4, 2017